Near Napoléon’s tomb in the Dôme des Invalides, in one of the side niches, is a monument to another remarkable man, Sébastien Le Prestre de Vauban (1633-1707), a French military engineer and adviser to King Louis XIV.
Unlike most military officers in the seventeenth century, Vauban did not belong to any sort of illustrious aristocratic family. He joined the army when he was seventeen (first a rebel army, but he soon switched over to the king’s side) and swiftly rose through the ranks entirely on merit, which in those days was nearly unheard of.
While he was still in his twenties, Vauban quickly impressed Louis XIV (who was five years younger) by his talent for designing and building fortifications and for conducting and repelling sieges. At age 22 Vauban was named an “engineer of the king” and spent several years strengthening the fortifications on the northern border of France.
When the next war began in 1667, Vauban was 34. Under the appreciative eye of the king, he successfully conducted the sieges of Turnai, Douai, Lille and Dôle, then returned to Lille and turned the Citadel into a formidable fortress.
In the next war, against Holland, Vauban successfully besieged the fortified city of Maastricht, using tactics of his own invention that revolutionized siege warfare. In the following years, he just as successfully besieged the fortified cities of Luxembourg, Mons, Namur and Charleroi.
When he was 45, Vauban was named Commissioner General of Fortifications. In this capacity, he traveled constantly all around the borders of France, inspecting the fortifications and designing improvements. In Toulon he fortified the harbor, built city walls and designed a new arsenal. In Marseille he inspected the island of If (the prison of the fictional Count of Montecristo) and wrote a scathing report about the inadequacy of that island’s fortifications.
Altogether, in his long career, Vauban repaired and strengthened the existing fortifications in three hundred places, conducted fifty-three sieges and built thirty-three completely new fortresses. Many of these fortresses still exist today, and in 2008 twelve of them were designated by UNESCO as World Heritage Sites.
Since Vauban was constantly on the road for over forty years, travelling through and around France, he got to know the country very well — certainly much better than Louis XIV, who as he grew older became increasingly immobile in his palace in Versailles, surrounded by courtiers who told him what he wanted to hear rather than what he needed to know.
In the last two decades of his life, Vauban tried unsuccessfully to convince the king of two things, first that he should restore freedom of religion and allow the exiled Huguenots (Protestants) to return to France, and second that to prevent the French people from starving he should institute a sweeping reform of the tax system, to make aristocrats and rich landowners pay their fair share. Vauban wrote entire books on these topics, and these are the books that he is leaning his elbow on in the sculpture in his monument in the Dôme des Invalides.
Louis XIV listened politely to these suggestions but never acted on them. Later generations found them more convincing, so Vauban’s posthumous reputation continued to rise.
A century after Vauban’s death (101 years after, to be exact), Napoléon ordered that Vauban’s heart should be taken from his grave, in his home town of Bazoches, and interred in the Invalides in Paris. (Of course after 101 years there wouldn’t have been much left of his heart, but it was the symbolic gesture that mattered.)
Location, aerial view and photo of Dôme des Invalides on monumentum.fr
My photos in this post are from 2012, 2013 and 2014. I revised the text in 2017.
See more posts on Vauban.
1 thought on “Vauban in the Invalides”
Thank you for this entry Don! I was glad to learn of Vauban’s efforts to convince Louis XIV to restore freedom of religion and to reform the tax system to make it fair to all. And sorry that he was unsuccessful… I only knew Vauban for his fortifications… And for Léo Ferré’s song « Merde à Vauban », where a prisoner bemoans his separation from his loved one, with no hope left to him.