Ossip Zadkine (1890-1967) was born in Vitebsk, Belarus. He moved to England when he was fifteen and then to Paris when he was nineteen.
In Paris he soon became a part of the lively artistic scene in Montparnasse. There he was a regular customer at the café Le Sélect, along with Max Jacob, Jean Cocteau, Guillaume Apollinaire, Pablo Picasso, Amedeo Modigliani, Joan Miró and Chaim Soutine, among many others. For the rest of his life he lived and worked in France, mainly in Paris, except for the years of the Second World War, when he had to flee to the United States to escape from the Nazis.
Like the ateliers of his older colleagues Antoine Bourdelle (1861-1929) and Auguste Rodin (1840-1917), the atelier of Ossip Zadkine has been preserved and is now a museum devoted to his works as a sculptor and a painter. In the garden of the museum there are castings of some of his major sculptures.
Included in the garden is a scaled-down version of his “Torso of the Destroyed City”. This is a sculpture he made for the city of Rotterdam, Netherlands, a city that had been largely destroyed by German bombing in the Second World War.
The Zadkine Museum is located at 100 bis, rue d’Assas, 75006 Paris, behind the Luxembourg Gardens. The museum belongs to the City of Paris, so admission is free for the permanent exhibits.
After visiting the Zadkine Museum you might like to see some of his sculptures in the wild, so to speak. The closest one that I know of is less than one kilometer from the museum (a ten-minute walk or a five-minute bicycle ride) on Boulevard Edgar Quinet at the corner of Boulevard Raspail, just outside the Montparnasse Cemetery.
Zadkine created this sculpture, The Birth of Forms, in 1947, after returning to France from his wartime exile in the United States. (However, the label on the base of the statue gives the date as 1958.)
It happens that Zadkine is buried in Montparnasse Cemetery, not far from The Birth of Forms.
Less than two km north of the Zadkine Museum, at Place Saint-Germain-des-Prés (an easy ten-minute bicycle ride via Rue d’Assas and Rue de Rennes), there is a casting of Zadkine’s sculpture showing Prometheus bringing fire to the people, as he did in ancient Greek mythology.
When I first saw this Prometheus sculpture at Place Saint-Germain-des-Prés it seemed strangely familiar to me, but I didn’t know why. Much later I realized that another casting of this same sculpture is on display in the University Library in Frankfurt am Main, Germany, where I live and where I studied.
Only slightly further away from the Zadkine Museum (about 2 ½ km to the southeast) is another sculpture of his, The Return of the Prodigal Son, which is on display in front of the City Hall of the 13th arrondissement at Place d’Italie.
To get there from the museum, just ride down Rue d’Assas to Port Royal and get onto the bus-and-bike lane of Boulevard de Port Royal going east. Turn right at Avenue des Gobelins and you’ll soon be there.
In this photo Zadkine’s statue is off to the left by the palm tree, but the people in front of the City Hall aren’t paying any attention to it because they are waiting for the bride and groom to come out after their marriage ceremony.
My photos in this post are from 2013 and 2014. I revised the text in 2017.
See more sculpture posts.
11 thoughts on “Zadkine’s sculptures in Paris”
Interesting story about the 13th arrondissement. Never heard that one before
A few years ago I happened to see the ‘Torso of the Destroyed City’ in Rotterdam and got to find out more about Zadkine,, but I have to confess that his work in Paris has eluded me so far.
I imagine art critics and connoisseurs will recoil in disbelief but I am going to call this style a blending of Picasso and Rodin !
I am not recoiling in disbelief, which just goes to show that I am neither an art critic nor a connoisseur. But I do like Zadkine’s style, whatever it is.
In Scotland they had a much more plain way of referring to concubinage – Bidie In meaning the intimate person that you abide with. Here in Texas there is a common law marriage and if you have lived together long enough you have to get a divorce as opposed to just separating. Wonderful shots.
Thanks for your visit and comment. I’ve never heard the word ‘bidie’ before.
Totally missed Zadkine and his museum. Paris is so rich in the arts. Thanks for sharing, Don.
Don, don’t you remember people, especially women, saying, “That old bidie?” Because the live-in partner was considered wilder than the average house wife was considered, their use of the word bidie turned it to have a derogatory meaning.
My friend in Paris entered into a “Civil Union” with her boyfriend. would that be the same as, “concubinage?”
In my childhood it seems to me that “that old bidie” just meant an unpleasant elderly woman, usually living alone and not with a partner.
I’m not sure what a “Civil Union” means in France, but I don’t think it’s the same as concubinage. Lots of people in France just get married in the City Hall but not in church.
I first met Zadkine at Place Saint-Germain-des-Prés when I spotted his Prometheus and found it amazing across from the ancient church. I’ll have to look for the others you’ve shown. Sounds like a fun project.
You can actually step across the river Bièvre in the grounds of the Château Fougères-sur-Bièvre in the town of the same name. It’s one of my favorite castles, very medieval and with a resident cat.
Thanks, Sally. I’ll put Château Fougères-sur-Bièvre on my list for next time.
I saw, and liked, Zadkine’s Prometheus at Place Saint-Germain-des-Prés when we stayed in that area last October, but I didn’t realise there was a museum in Paris devoted to his work. Something for next time!